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Pioneering women art dealers – Part 2
Juan Gris: The Demon of Logic
Nature in Art
Napoleon: Master of Propaganda
How to read a condition report
Team Dickinson’s Art Reading Recommendations
Barking Mad! Dogs in Art
Pioneering women art dealers – Part I: ‘Her eye was superb, and her taste bold’
Dickinson’s Charity Collaborations
Cures and quacks: a history of medicine in art
TEFAF Success & Call for Consignments
A New Partnership: The Officer
Introducing our new series: Great collectors through the ages
As the art world re-opens: museums
Cézanne & Mt Sainte-Victoire: ‘The father of us all’
Travelling Expertise
Why now might be the time to consign
Dickinson’s Zoom Master Classes
Why art fairs?
Collection Management
Virtual viewings: A valuable tool, but no substitution for the real experience
The Nude in Art
Surrealism
A Virtual Visit to some Stately Homes
Transparent pricing: A win-win for galleries and for collectors
At the Artist’s Table: Saul Steinberg
Collecting Old Masters
How To Cope With Quarantine
The Great Outdoors: From Imagination to Impression
Panini and the Pantheon
The Benefits of Private Sales
Alfred Sisley and Marly-le-Roi
Dickinson Discusses: The Art of Journalism
What can signatures tell us
TEFAF New York Spring 2018
Slow Art Workshop at Dickinson
20 Years of Dickinson at TEFAF Maastricht
Landesmuseum Hannover acquires Corinth via Dickinson
The Art of Collecting at Dickinson
Bellini’s “Wittgenstein Madonna” goes on view with the opening of the Louvre Abu Dhabi
Museum Boijmans Van Beuningen acquires Brauner via Dickinson
German Staatliche Kunsthalle Karlsruhe acquires rare 1927 work by Magritte through Dickinson
Van Gogh Museum acquires Bastien-Lepage via Dickinson
Robert Delaunay – La Ville de Paris, La Femme et La Tour Eiffel 1925
Renoir – Au Bord de l’Eau, 1885
The Art Room at DICKINSON
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