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Art Reading Recommendations– Summer 2022
Concrete Art: Visible and Tangible Form
The Best of British: Sales to the Nation
Current Market Trends: The NFT Boom
Artist in Focus: Fanny Sanín
Art Fairs: From Forum to Frieze
Music in Art
Great Collectors through the Ages: Charles Clore
Artist in Focus: Paul Signac
The Art of Framing
Perspective: Latin American Art
How a Dickinson catalogue comes together
Painting in Paris
Artist in Focus: Eileen Agar
Artist in Focus: Jean Dubuffet – Art Brut and ‘Brutal Beauty’
Games in Art – Your move!
Artist in Focus: Dame Barbara Hepworth – Piercing the Stone
Pioneering women art dealers – Part 2
Artist in Focus: Juan Gris – The Demon of Logic
Nature in Art
Napoleon: Master of Propaganda
How to read a condition report
Team Dickinson’s Art Reading Recommendations
Barking Mad! Dogs in Art
Pioneering women art dealers – Part I: ‘Her eye was superb, and her taste bold’
Dickinson’s Charity Collaborations
Cures and quacks: a history of medicine in art
TEFAF Success & Call for Consignments
A New Partnership: The Officer
Introducing our new series: Great collectors through the ages
As the art world re-opens: museums
Cézanne & Mt Sainte-Victoire: ‘The father of us all’
Travelling Expertise
Why now might be the time to consign
Dickinson’s Zoom Master Classes
Why art fairs?
Collection Management
Virtual viewings: A valuable tool, but no substitution for the real experience
The Nude in Art
Surrealism
A Virtual Visit to some Stately Homes
Transparent pricing: A win-win for galleries and for collectors
At the Artist’s Table: Saul Steinberg
Collecting Old Masters
How To Cope With Quarantine
The Benefits of Private Sales