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Jacques–Laurent Agasse (Geneva 1767–1849 London)
The racehorse 'Bay Ascham' being led to his paddock
Oil on canvas
24½ x 29¾ in. (58.5 x 73.5 cm)
Henry Alken Jnr (1810–1894)
Partridge shooting
Signed lower right: 'H. Alken'
Pencil and watercolour
14 x 19 in. (35.5 x 48.2 cm)
Isidore–Jules Bonheur (French, 1827–1901)
Le Grand Jockey, 1879
38 x 38 in. (96 x 96 cm)
Isidore–Jules Bonheur (French, 1827–1901)
Pony Carrying Stag
10 x 10 in. (25 x 25 cm)
John Singleton Copley (Boston 1738–1815 London)
Portrait of John Wombwell (d.1795) with a grey hunter, in a landscape
Inscribed on a label on the stretcher: 'Picture by Copley of of [sic] my / mother's father / John Wombwell Esq. Decd 17 ../ brother of the 1st Baronet Sir George / Mrs Venne (?)
has a duplicate by / Reinagle This is the/original'
Oil on canvas
30¼ x 25½ in. (76.8 x 64.1 cm)
John Emms (Blofield, Norfolk 1841–1912)
Black Spaniel holding a Duck
Signed and dated lower right: 'JNP. EMMS /95'
Oil on canvas
26 x 30 in. (66 x 76 cm)
English School (19th Century)
A hound at Dyrham Park
Oil on canvas
12 x 14 in. (13.5 x 35.6 cm)
Christophe Fratin (French, 1801–1864)
Large Walking Stag, c.1850
22 x 22 in. (55 x 57 cm)
John Frederick Herring, Snr. (Surrey 1795−1865 Meopham Park, Kent)
The Hon. Edward Petre's The Colonel with William Scott up
and John Scott on a dark bay hack, with a groom,
Doncaster racecourse beyond
Signed and dated lower left: 'J. F. Herring./1828'.
Oil on canvas.
28 x 36 in. (71.1 x 91.5 cm.)
John Frederick Herring, Snr. (Surrey 1795–1865 Meopham Park, Kent)
Mr Richard Watt's Bay Colt Memnon, with William Scott Up and the Trainer in a Landscape
Signed and dated lower right: 'J. Herring/1826'
Oil on canvas
24 x 32 in. (60.9 x 81.2 cm)
John Frederick Herring, Snr. (Surrey 1795–1865 Meopham Park, Kent)
Mr R. O. Gascoigne's Dark Brown Colt Jerry, with Ben Smith Up
Signed, inscribed and dated lower centre and lower right: 'J. F. Herring/Jerry /1824'
Oil on canvas
21 x 29¼ in. (53 x 74 cm)
John Frederick Herring, Snr. (Surrey 1795–1865 Meopham Park, Kent)
Two Brown Coach Horses in a stable yard with groom and two greyhounds
Signed and dated lower left:' J. F. Herring 1839'
Oil on canvas
27 x 30 in. (68.5 x 76.2cm.)
Abel Hold (Alverthorne, West Yorkshire 1815–1896 Cawthorne, West Yorkshire)
Study of Ptarmigan
Signed lower left with initials: "AH'
Oil on panel
15 x 19 in. (38 x 48.2 cm)
Georges Malissard (French, 1877–1942)
Polo Player, 1936
19 x 20 in. (48 x 51 cm)
James Pollard (1792–1867)
Pike fishing at Waltham Abbey, Essex
Oil on panel
7 x 10 in. (17.8 x 25.4 cm)
One of a pair (2)
On loan from a Private Collection
James Pollard (1792–1867)
Trout fishing at Beddington corner, Surrey
Oil on panel
7 x 10 in. (17.8 x 25.4 cm)
One of a pair (2)
On loan from a Private Collection
Alfred de Prades (1844–1883)
Mr. Charles Brewer's and Mr. Charles Blanton's bay Colt, Robert the Devil, with Tom Cannon up at Longchamp Racecourse, Paris
Signed, dated and inscribed lower left: 'AF de Prades /1881 / Robert the Devil'
Oil on canvas
38¼ x 48 in. (97 x 122 cm)
James Walsham Baldock (1822–1898)
The Foxhounds, Richmond Regulus and Ringwood, bred by Lord Bentinck at the Rufford kennels
Signed and dated lower right: 'J. Baldock, 1866'
Oil on canvas
18 x 24 in. (45.7 x 60.9 cm)
John Ferneley (Thrussington, Leicestershire 1782−1860 Melton Mowbray, Leicester)
Andrew Berkeley Drummond mounted on Butcher at Cadland
Signed, dated and inscribed lower right: 'J.Ferneley./Melton Mowbray./1822.'
Oil on canvas
34½ x 43 in. (85.1 x 109.2 cm.)
John Nost Sartorius (1759–1828)
A hunt in full cry
Signed and dated lower left: 'J. N.Sartoruis Pinxt 1781'
Oil on canvas
27¼ x 35 in. (69.2 x 88.9 cm)
Benjamin Killingbeck (active Yorkshire 1763–1789)
A Dog in a Landscape
Oil on canvas
39½ x 49¾ in. (100.3 x 126.2 cm)
Sir Edwin Landseer, R.A., R.I. (1802–1873)
Tapageur
Signed in monogram and dated centre right: '1819'
Oil on canvas
31½ x 41½ in. (80 x 105.4 cm)
Sir Edwin Henry Landseer, R.A., R.I.
London 1802–1873London
The Edge of the Marsh, a Fallen Teal and a Snipe in Flight
Oil on panel
19 x 26 in. (48.25 x 66 cm)
Lionel Edwards (1878–1966)
Anatomical study of a horse's hind leg and a galloping horse
(recto: Study of a Stag)
Watercolour, gouache and pencil on coloured paper
8 x 10 in. (20.3 x 25.4 cm)
Patrick Mavros (b.1953)
Grey Partridge Covey
Silver
Set of 5 birds
2¾ x 6 in. (7 x 15 cm) and smaller
George Morland (London, 1763–1804)
A wooded landscape with a man shooting a pheasant
Signed lower right: 'G. Morland'
Oil on canvas
14 x 16 in. (36.6 x 40.7cm)
Sir Alfred James Munnings, PRA, RWS, RP, KCVO
(Mendham, Suffolk 1878–1959 Dedham, Essex)
At Ascot
Pencil on paper
Signed and inscribed lower centre: 'Alfred Munnings/at Ascot'
5½ x 4¼ in. (14 x 10.8 cm)
Sir Alfred James Munnings, PRA, RWS, RP, KCVO
(Mendham, Suffolk 1878–1959 Dedham, Essex)
Study of a Racehorse
Oil on panel
Signed lower right: "A.J.Munnings'
9¼ x 10½ in. (23.5 x 26.7 cm)
Sir Alfred James Munnings, PRA, RWS, RP, KCVO
(Mendham, Suffolk 1878–1959 Dedham, Essex)
The Jockey
Signed lower left: 'A. J. Munnings'
Oil on panel
16 x 11½ in. (40.6 x 29.2 cm)
On loan from a Private collection
C. Parker (active c. 1829)
Trompe L'Oeil of Sporting accessories
English School
Oil on canvas
20 x 23¾ in. (51 x 60.5 cm)
Pierre Lenordez (French, exh.1855–1877)
Horse with Hound, 1865
12 x 11 in. (30 x 28 cm)
John Pitman (Worcester 1789–1850 Alveley, Shropshire)
Pheasant shooting
Oil on panel
6 x 8 in. (15.2 x 20.3 cm)
John Pitman (Worcester 1789–1850 Alveley, Shropshire)
Grouse shooting
Oil on panel
6 x 8 in. (15.2 x 20.3 cm)
John Nost Sartorius (1759–1828)
Sir Charles Bunbury's 'Smolensko' with Tom Goodisson up winner of the 1813 Derby
Circa 1813
Oil on canvas
24 x 30 in. (61 x 76.2 cm)
Charles Henry Schwanfelder (Headrow, Leeds, 1774–1837)
Two English Setters in a landscape
Signed and dated lower centre: 'C. H. Schwanfelder/1822'
Oil on panel
5⅛ x7½ in. (13 x 18.5 cm)
William J. Shayer (Chichester, 1811–1892 Chichester)
Spaniel flushing out a pheasant
Signed and dated lower centre: 'Shayer 1838'
Oil on board
7 x 9 in. (17.8 x 22.9 cm)
Sir Francis Grant, P.R.A.
(Edinburgh 1803–1878 Melton Mowbray, Leicestershire)
From a selection of Francis Grant drawings
Pen, ink and wash on paper
varying sizes
Thomas Rowlandson (London 1756–1827 London)
The Duke of Grafton inspecting his stud
Pen, ink and watercolour
5½ x 9¼ in. (14 x 23.5 cm)
Charles Towne (Wigan 1763−1840 Liverpool)
A Chestnut Hunter held by a Groom, sold to Emperor Alexander of Russia for 2000 Guineas by Captain Clark,
Aide-de-Camp to the Duke of Wellington
Signed, inscribed and dated lower right, 'C.Towne. / Pinxit /1815'.
Oil on canvas.
29 x 37 in. (73.7 x 94 cm.)
Charles Towne (Wigan 1763–1840 Liverpool)
A Palomino frightened by an oncoming storm, with a Spaniel, in a Landscape
Signed, inscribed and dated lower right: 'C. Towne./Pinxit/1814'
Oil on canvas
29½ x 35½ in. (75 x 90.2 cm)
John Wootton (Snitterfield, Warwickshire, circa 1682–1764, London)
Prince George of Denmark's horse, Leedes, held by a groom
Inscribed and signed lower left: 'Prince George of/Denmarks horse/Leeds/J Wootten'
Oil on canvas
39 x 49 in. (101.5 x 127 cm.)
John Wootton (Snitterfield, Warwickshire, circa 1682–1764, London)
A grey racehorse held by a groom on a racecourse
Signed respectively bottom left and right: 'J. Wootton'
Oil on canvas
40 x 50 in. (101.5 x 127 cm)
Ferdinand Pautrot (French, 1832–1874)
Standing Pointer with Bird, c.1850
8 x 12 in. (20 x 32 cm)
Philip Reinagle, R.A. (Scotland 1749–1833)
Pheasant shooting
Oil on panel
81¾ x 24 in. (47.7 x 61cm)
Henry Alken Jnr (1810–1894)
Two gentlemen out shooting
Signed lower left: 'Alken'
Oil on panel
12 x 17 in. (30.5 x 43.2 cm)
Francis Calcraft Turner (c. 1782–1846)
Flora, Springer spaniel of Mr R. L. Evans
Signed and dated lower right: 'F. C. Turner, 1833'
Oil on canvas
10 x 12 in. (25.3 x 30.5 cm)
Henry Alken, Senior (1785–1851)
The Meet; Full Cry; Over the Brook; The Death
(The Meet shown here)
Signed and dated
Oil on canvas
17 x 25 in. (43.1 x 63.4 cm)
set of four (4)
The Meet; Full Cry; Over the Brook; The Death
(Full Cry shown here)
Signed and dated
Oil on canvas
17 x 25 in. (43.1 x 63.4 cm)
set of four (4)
The Meet; Full Cry; Over the Brook; The Death
(Over the Brook shown here)
Signed and dated
Oil on canvas
17 x 25 in. (43.1 x 63.4 cm)
set of four (4)
The Meet; Full Cry; Over the Brook; The Death
(The Death shown here)
Signed and dated
Oil on canvas
17 x 25 in. (43.1 x 63.4 cm)
set of four (4)
Jonathan Knight (b.1954)
Part of a unique set of eight Polo players, mounted as four
Sets of two players
7 ½ x 9 ½ x 5 in. (19.1 x 24.1 x 12.7 cm) and smaller
Jonathan Knight (b.1954)
Part of a unique set of eight Polo players, mounted as four
Sets of two players
7 ½ x 9 ½ x 5 in. (19.1 x 24.1 x 12.7 cm) and smaller
Jonathan Knight (b.1954)
Part of a unique set of eight Polo players, mounted as four
Sets of two players
7 ½ x 9 ½ x 5 in. (19.1 x 24.1 x 12.7 cm) and smaller
Jonathan Knight (b.1954)
Part of a unique set of eight Polo players, mounted as four
Sets of two players
7 ½ x 9 ½ x 5 in. (19.1 x 24.1 x 12.7 cm) and smaller
George Stubbs A.R.A. (Liverpool 1724—1806 London)
A Lion and a Lioness
Signed and dated lower centre: 'Geor Stubbs pinx. /1778.'
Fired enamel on Wedgwood earthenware.
17 x 24 in. (45.4 x 61 cm.)
James Ward R.A. (London 1769–1859 London)
The Deer Stealer
Signed with initials and dated lower left: 'JWRD RA / 1828'.
Oil on panel
11¾ x 14¼ in. (30 x 36.5 cm.)
A study for The Deer Stealer, Tate Gallery, London.
Sir Edwin Landseer r.a., r.i. (London 1802-1873 London)
Deer Just Shot and Deer Fallen from a Precipice
Oil on board
18½ x 23¾ in. (47 x 69.7 cm.). A pair (2).
Circa 1828-9
Herbert Haseltine (American, 1877–1962)
Thoroughbred Horse, 2nd Set, 1925
Bronze, mounted on marble base
7¼ x 6 ¾ in. (18.4 x 17.2 cm)
One of a pair
Cecil Charles Windsor Aldin, RBA (1870 – 1935)
Derby Day
Pencil, coloured chalks and watercolour
17 ¾ x 24 ⅛ in. (45 x 61.5 cm.)
James Barenger (London, 1780 – 1831)
A Staffordshire Bull Terrier standing in open ground
Signed and dated lower right: J. Barenger/ 1811
Oil on canvas
17 x 21 1/8 in. (43.2 x 53.7 cm.)
Peter Biegel (Croxley Green 1913 – 1988)
The Devon Somerset Staghounds, Exmoor
Signed lower right: Peter Biegel
Oil on canvas
16 x 20 in. (40.7 x 50.8 cm.)
Peter Biegel (Croxley Green 1913 – 1988)
Hinds Dozing
Signed lower left: Peter Biegel
oil on panel
7 ¾ x 11 ¾ in. (19.7 x 29.8 cm.)
John Emms (Blofield, Norfolk 1841 – 1912 Lyndhurst)
Breaking Cover
Signed lower right: JNO EMMS
Oil on canvas
30 ¼ x 45 in. (77 x 114.5 cm.)
John Ferneley (Thrussington, 1782 - 1860 Melton Mowbray)
"Brass", a fleabitten grey at Cottesmore with two hounds
Signed and dated lower left: J. Ferneley Pinxt/ 1818
Oil on canvas
33 x 41 in. (83.8 x 104.2 cm.)
John Ferneley (Thrussington, Leicestershire 1782 - 1860
Melton Mowbray)
A fleabitten grey hunter
Signed and dated lower left: J. Ferneley/ Melton Mowbray/ 1821
Oil on canvas
27 x 35 in. (69.1 x 88.9 cm.)
John Frederick Herring, Senior (Surrey 1795 – 1865 Meopham Park, Kent)
A Chestnut Hunter in a Stable Yard
Signed and dated lower left: J.F. Herring/1840
Oil on canvas
22 ⅛ x 30 in. (56.2 x 76.2 cm.)
Tom Hold (Second half 19th Century)
Red Grouse on a moor
Signed and dated lower right: T. Hold 80
Oil on canvas
18 x 24 in. (45.7 x 61cm.)
Sir Alfred James Munnings, PRA, RWS, RP, KCVO
(Mendham, Suffolk 1878 – 1959 Dedham, Essex)
Frank Freeman and his Hounds
Signed lower left: A J Munnings
Oil on canvas
38 x 38 in. (96.5 x 96.5 cm.)
Archibald Thorburn (Lasswade, Scotland 1860 – 1935 Hascombe, England)
Study of a Pheasant
Signed lower left corner: A. Thorburn / Jan.y 7 1889
Watercolour on paper
18 x 26 in. (45.8 x 66 cm.)
Emile – Jean – Horace Vernet (1789 – 1863)
A saddled racehorse reins attached to a fence
Signed and dated lower left: H Vernet 1828
Oil on canvas
32 ¼ x 39 ¾ in. (82 x 101 cm.)